Awesome work...really cute!
I don't really know the Harley Quinn chracter but see her in sketches a lot and gather she's a toying, mischievious kind of character, so the facial expression in this is perfect!
I can see approaching some of my favorite artists down the track now that I seem to be developing a few faves. But the terrible stories you hear about people waiting years and years worries me. Probably the bad minority (like all things in life) but you'd think these artists would just get things done to save their reputations....
Might be an idea to start a sticky thread for commissions on here that gives us all feedback about artists ?? Maybe out of 5 ratings for speed, price, communications, end result, overall experience etc ? Any other suggestions ?
(And no I haven't forgotten about the sig ID thread I suggested a while back - I'm working on it !!)
I will add too, I have found a lot of these artists SPC prices are very good compared to what some of the licensed sketch cards sell for. I have two more artists working on a couple more for me and the most I have paid incl Delivery has been $25 (this PSC from Emily and another from Tim Procter).
Yeah they're great deals. Compared to official release or AP's that can work out be expensive. I had one artist ask for $100 up front to do a one character AP, $15 to add a second character... while I've bought nice AP's (not of my own request admittedly) of the same subjects by artists I probably prefer more for less than $50 ! Don't mind paying for good work, but think they need to work a bit with their customers...
I would recommend checking out that BO Feedback page if you (or anyone else for that matter!) is looking at getting a PSC done. It is very nicely set up with a Feedback Summary on the first page with each piece '+' or '-' feedback then linked back to each thread post.
Sweet sketch! Love the detail on it and background.
Yeah, that thread is extremely useful! I always check there before I commission someone to see if they have any feedback. With most artists asking you to pay up front, it's a good resource to have.
It's difficult to say. For me personally, I consider the quality of the work in relation to the price and I also have a look on ebay to see what their sketches from official sets they have done sell for. I also have a think about how long the sketch will take the artist to do. Some sketches may take a lot longer (for example if they are painted) and in that circumstance I think it's fair to compensate the artist more.How can you tell between a good sketch artist and a bad one, obviously through some of their drawings, but how do you know how much you should pay for one?
Does deviantArt have some sort of list?
How can you tell between a good sketch artist and a bad one, obviously through some of their drawings, but how do you know how much you should pay for one?
Now this site has made very hard to pick- there is far too many good artists to choose fromI think it is entirely personal being that sketch cards are a type of artwork.
Here is a good thread on BO that has a bunch of sketch artists showcasing their work and where the best place to contact them is.
http://www.blowoutcards.com/forums/non-sports/626142-sketch-artist-directory-sample-gallery.html
I think we all get drawn to certain artists for different reasons... If I pull a nice sketch, even if it's not a valuable one, I'm often driven to find others by that artist. Ashleigh Popplewell was one of the first decent sketches I pulled and since I've collected a number of hers and just bought some AP's she was selling cheap on ebay, so looking forward to seeing them when they arrive.
I was going to list my favorite artists, but the list was way too long ! And there's nothing that says that valuable cards are more enjoyable. I've been haunted in my breaks by Mauro Fodra, his art is nice, but doesn't gather much attention or value...but I'm seeing improvement in each release, so much so I actually bought one of his off ebay for my character PC...a total steal for $17 US !!
I also appreciate it when the artist goes to the effort of making the card the best that they can do, no matter how evolved their skills. On any day you can give me a $25 full colour sketch with background by a nobody over a pencil sketch by a bigger name that might draw 4 times as much value.
Not sure how others think, would be interested to hear, but I work on the principle that the average sketch from a $60-80 box has a value of about $30 or so. Looking through my breaks and there's probably only a couple that I think are blatantly worth less than that, and the majority would be slightly more with only a few real standouts. The high value cards are rare, but I've been lucky to pull a couple. Product also plays a role, Star Wars stuff for example has been pretty bad to me, with only one sketch of three breaks really being up to par.
Anyway, in the end, it's up to you and what you like. Watch other peoples breaks, scan the forums and you'll start to build up a like for certain artists I'm sure.
Oh and nothing beats the thrill of the chase to find that really nice piece, but then again, I think I'm pretty much box break crazy these days...LOL! Stay tuned all, big breakage coming tomorrow !!
I think we all get drawn to certain artists for different reasons... If I pull a nice sketch, even if it's not a valuable one, I'm often driven to find others by that artist. Ashleigh Popplewell was one of the first decent sketches I pulled and since I've collected a number of hers and just bought some AP's she was selling cheap on ebay, so looking forward to seeing them when they arrive.
I was going to list my favorite artists, but the list was way too long ! And there's nothing that says that valuable cards are more enjoyable. I've been haunted in my breaks by Mauro Fodra, his art is nice, but doesn't gather much attention or value...but I'm seeing improvement in each release, so much so I actually bought one of his off ebay for my character PC...a total steal for $17 US !!
I also appreciate it when the artist goes to the effort of making the card the best that they can do, no matter how evolved their skills. On any day you can give me a $25 full colour sketch with background by a nobody over a pencil sketch by a bigger name that might draw 4 times as much value.
Not sure how others think, would be interested to hear, but I work on the principle that the average sketch from a $60-80 box has a value of about $30 or so. Looking through my breaks and there's probably only a couple that I think are blatantly worth less than that, and the majority would be slightly more with only a few real standouts. The high value cards are rare, but I've been lucky to pull a couple. Product also plays a role, Star Wars stuff for example has been pretty bad to me, with only one sketch of three breaks really being up to par.
Anyway, in the end, it's up to you and what you like. Watch other peoples breaks, scan the forums and you'll start to build up a like for certain artists I'm sure.
Oh and nothing beats the thrill of the chase to find that really nice piece, but then again, I think I'm pretty much box break crazy these days...LOL! Stay tuned all, big breakage coming tomorrow !!
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